The reimagined Queen Elizabeth begins new chapter with updated spaces blending art deco-inspired design with contemporary comfort
Cunard has drawn on the design of its newest ship, Queen Anne, launched last year, as part of the inspiration for the revitalised Queen Elizabeth ahead of the 2,000-passenger ship’s new Alaska and Miami season.
The 90,400-gt vessel, which launched in 2010, underwent a three-week makeover at Seatrium’s Admiralty Yard in Singapore.
Cunard vice president of brand and product development, Lee Powell, tells Passenger Ship Interior and Refurbishment Review, “The design process followed an evolutionary journey, and we drew on Queen Anne as an evolution of our design language. Queen Elizabeth’s interior and exterior have been refreshed and reinvigorated to introduce new colours, materials and design elements. Its transformation has also been influenced by its new US deployment, with a focus on outdoor deck spaces for sunbathing in the Caribbean and viewing the spectacular scenery of Alaska.”
The project’s lead architect was London-based SMC Design, which Cunard partnered with on designs for its flagship Queen Mary 2.
Mr Powell explains, “In addition to spatial planning and interior design, SMC Design are specialists in pattern design and can draw from their extensive portfolio of work to reinterpret our iconic archival collection of patterns, reimagining them for a modern era. Their ethos and outlook are perfectly aligned to Cunard’s design DNA.”
The project has seen the refreshment of signature Cunard spaces including the Queens Room, Commodore Club, Garden Lounge, Pavilion and Golden Lion pub.
“In designing the refresh, the intent was to build and evolve that style in a modern reinterpretation,” says Mr Powell. “We wanted to build on that existing look and feel that our guests know and love, introducing more colour, a greater variety of considered pattern and detailing that references our past but also looks to our future.”
The Queens Room, used for ballroom dancing, entertainment and Cunard’s famous afternoon tea, took inspiration from the British royal family’s fondness for mulberry trees, dating back to the 17th century when they were first planted by James I. This can be seen in the new carpet pattern which replicates a lush garden shrubbery. In the maritime-themed Commodore Club lounge, overlooking the bow of the ship, the palette was based on the colours of the sea, with navy blue and lighter wood tones.
Turning to the Garden Lounge, which is also used for afternoon tea, Mr Powell says, “It has a palm-filled conservatory feel inspired by the glass houses at Kew Gardens, blending botanical beauty with timeless elegance. The colour scheme blends deep blues, warm neutrals, rich burgundies, and botanical-inspired patterns, creating a balanced mix of luxury and natural beauty, enhancing the connection to nature. The plush fabrics and floral patterns offer a tropical motif you want to be enveloped in while sailing through the Caribbean.”
The Pavilion and pool area also showcase subtle nautical touches, such as blue and white tiling, which also references the line’s maritime heritage.
“The design harmonises modern luxury with classic Cunard sophistication, ensuring a refined yet comfortable experience for guests,” says Mr Powell.
Back inside, The Golden Lion is designed to emulate the ambiance of a traditional British pub, and Mr Powell says, “The colour palette evokes a warm, inviting, and nostalgic atmosphere for guests. Rich, deep hues such as mahogany brown, burgundy, forest green, complemented by brass accents, create a sense of heritage and cosiness. Dark wood panelling, soft amber lighting from the table lamps, and sumptuous leather banquette seating add to the intimate and familiar ambiance.”
The Cunard name is also synonymous with the Grills experience, a hallmark of the line’s luxury offering, which Mr Powell says has also been elevated to new heights with sumptuous furnishings and sophisticated detailing.
“The combination of rich wood, cool greens and blues, warm orange accents, and luxe marble creates a classic yet modern art deco-inspired space,” he continues. “The panelling on the ceiling, columns, and bar adds warmth and a sense of classic cruise ship lounges. The subtle green and blue tones in the seating create a calm contrast to the wood and enhance the nautical, serene ambiance. The carpet harmonises the entire palette, providing a grounding element.”
Changes to the Grills Terrace, an exclusive outdoor space for passengers staying in the Grills Suites, reflect that from October 2025 to April 2026, Queen Elizabeth will be sailing in the Caribbean.
Mr Powell says, “Recognising that guests will want to dine al fresco and spend more time outdoors in the warm climate, this area has been expanded and thoughtfully designed to maximise comfort and the stunning ocean views. A mix of dining tables, plush lounge seating, and sun loungers allows for flexible use, whether guests want a casual meal, cocktails at sunset, or a just tranquil afternoon in the sun. The space embraces a sophisticated yet relaxed coastal aesthetic as the ship spends extended time in the warm weather of the Caribbean. The ocean-inspired blues and teals reflect the hues of the surrounding Caribbean waters, while the beige and off-white cushions add softness and a breezy, resort-like feel.”
He also explains while signature spaces were a major focus during the refurbishment, equally important were the transitional spaces which he says make the whole ship become one cohesive piece of design.
“Detailed elements also include areas such as the lift lobbies and alleyway design, which was inspired by guest feedback to support wayfinding, as per Queen Anne, with arrows subtly designed into the carpet that direct guests to the closest lift lobby. The patterns and designs play on the theme of motion and movement. For example, the lift lobbies boast a striking design inspired by the motion of the superstructure dynamically but gracefully gliding through the ocean waves.”
The transformation has also seen the introduction of all-new venues, including the themed Abbey Road Studios lounge, which will be available on the rest of the Cunard fleet in 2026. The ship also has a Pavilion Wellness Cafe, which debuted on Queen Anne.
Mr Powell adds, “Resonating strongly with guests who value wellness and healthy living as part of their holiday experience, introducing it to Queen Elizabeth was a natural evolution. This venue complements the enhanced wellness proposition across the ship, centred around our expanded Mareel Wellness & Beauty offering, and provides a space that feels restorative and relaxed. Positioned within the beautifully refreshed Pavilion Pool area, the cafe creates a seamless link between outdoor leisure and healthy dining.”
Summing up, Mr Powell says “From a brand perspective, we are fortunate to work with a number of longstanding partners who deeply understand Cunard’s heritage and the importance of maintaining the unique character of each ship, while keeping our designs fresh and forward-looking. We are incredibly proud of the enhancements made to Queen Elizabeth during its recent makeover. What makes this project particularly exciting is how it builds on the ship’s classic Cunard DNA while introducing thoughtful innovations that elevate the experience for guests.”
Following the Alaska season out of Seattle, which starts in June, Queen Elizabeth will make history as the first ship in the Cunard fleet to spend a full season in Miami where it will offer a programme of round-trip Caribbean voyages ranging from 9-28 nights.
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